Taking on the life of Michael Jackson, one of the most globally recognised (and controversial) stars of all time was no easy task for director, Antione Farqua, and Michael clearly knows it.
From the outset, Michael follows the sticks to the typical formula for a biopic. This isn’t all surprising given the mind behind Queen biopic, Bohemian Rhapsody, producer Graham King’s involvement in the film.
It’s polished, slick and leans into the spectacle, which is fitting since Jackson’s life very much was that. We are talking about the same person who caused people to become weightless just by his sheer presence after launching on the stage like a panther escaping from its cage. The performance sequences are undeniably engaging, but they sometimes come at the expense of the deeper storytelling, as it glazes over the moments that shaped who Jackson became.
From his vitiligo diagnosis which was a red herring throughout most of his time in the spotlight to the defining experiences (and people) who led him on the path to independence as an artist. These moments feel like a footnote in his story. He’s easily the strongest asset of this film.
The real standout of Michael is undoubtedly Jafaar Jackson as our protagonist. He captures Jackson’s naivety and gravitas on stage in a way that doesn’t feel forced, it feels instinctual. From the mannerisms and perfectly choreographed dances moves to the quiet restraint perfectly captures the vulnerability of this icon. Alongside him, Colman Domingo in the role as the Jackson patriarch, Joe is equally compelling.
One element that Michael nails is the dynamic between Michael and his father. It is a window into the fear and terror Michael felt at the hands of his father. It’s easily one of the most emotionally honest parts in a film, they’re uncomfortable but in a way that adds depth. They give a lot of context of the pressure he was under from a young age as the one steering the ship.
But for a story as layered as Jackson’s, it doesn’t dig quite deep enough. It leans heavily into the early years, which while important, feels like the safe approach. There’s a lot of defining chapters that are lightly touched on or left out completely. So, by the time it all wraps up, while you are left enamoured by Michael the performer, but left wanting more on Michael the person.
If anything, Michael feels like the first instalment of a larger story. And if a sequel is on the way, one can only hope that they’ll be willing to take more risks, and finally pull back the curtain on the full complexity of this icon.
Review by Emily Schinella
Distributor: Lionsgate Movies
The performance sequences are undeniably engaging, but they sometimes come at the expense of the deeper storytelling.
