Overview:
Haiti’s cultural and academic communities are mourning the death of anthropologist, singer and cultural promoter Jean Coulanges, who died Jan. 5 at age 84. Widely respected for his work documenting and safeguarding Haitian popular traditions, Coulanges bridged scholarship and artistic practice, recording songs, studying rituals and participating in musical projects such as Les Caracos Bleus and Kouidor. Tributes from writers, historians, former students and institutions highlight his lasting impact on Haitian culture and intellectual life.
PORT-AU-PRINCE — Haiti’s cultural and academic communities continue to pay tribute to Jean Coulanges, a renowned anthropologist, singer, cultural promoter and influential professor, following his death at age 84.
News of Coulanges’ death on Jan. 5 sparked an outpouring of tributes from scholars, artists, institutions and community members who praised his lifelong commitment to amplifying the voices, practices and knowledge of Haiti’s popular classes—often in spaces traditionally dominated by elite discourse. The anthropologist left behind a profound legacy in the study and transmission of the country’s popular traditions.
“As an artist, Jean would go out, sometimes very far, and bring back songs, customs and symbolic practices from popular communities,” writer Lyonel Trouillot said in a tribute published by AyiboPost. “Above all, he sang songs born of the Vodou imagination, without ever betraying their sacred nature.”
A scholar deeply rooted in lived culture, Coulanges bridged institutional leadership and artistic collaboration
Born into a family steeped in traditional practices, Coulanges devoted his life to documenting, protecting and promoting Haitian cultural expressions. He was both a rigorous researcher and a practicing artist, blurring the line between scholarship and participation by living among the communities he studied.
A respected professor, Coulanges dedicated his career to transmitting traditional knowledge and integrating Haiti’s intangible heritage into academic discourse. His work helped legitimize popular cultural practices as fields of serious intellectual inquiry while reinforcing their value in collective memory.
In 2013, he released Anonse, an album of 11 songs inspired by Vodou traditions, folkloric music and Haitian spiritual practices. The project reflected his broader vision: preserving living culture while fostering dignity, continuity and intergenerational dialogue.
“Jean will be remembered as one of the greatest singers, with the most beautiful and powerful voice the country has ever produced.”
Historian Pierre Buteau
Coulanges also played key institutional roles. He served as permanent secretary of Haiti’s National Commission for Cooperation with UNESCO, where he worked to secure international recognition for Haitian cultural expressions. He was also a founding member of the Haitian Institute for Economic and Social Development (IHDESE), contributing to long-term reflections on Haiti’s social and cultural future.
He came from a family of artists and intellectuals. Coulanges was the older brother of guitarist and composer Amos Coulanges, another influential figure in Haitian music.
Beyond academia, he was active in artistic circles, notably with Les Caracos Bleus, alongside figures such as Frantz Lofficial. He also participated in the musical project Kouidor with artists including Syto Cavé and Félix Étienne.
Undated photo of Jean Coulanges, anthropologist, researcher, singer and promoter of Haitian culture via UNESCO’s Facebook page.
A life shaped by conviction and an enduring legacy
Coulanges’ intellectual and artistic commitments were inseparable from his political convictions. A vocal opponent of the Duvalier dictatorship, he experienced exile and spent part of his life in hiding due to his communist activism and outspoken positions.
“Jean Coulanges was like an older brother to me,” historian Pierre Buteau said in an interview with AlterPress. “He will be remembered as one of the greatest singers, with one of the most beautiful and powerful voices the country has ever produced.”
Despite his passing, Coulanges’ influence endures through his teaching, writings, recordings and archival work, which remain vital resources for understanding Haiti’s popular traditions and cultural identity.
“As a researcher, Coulanges was a master of hypotheses drawn from observation. He was one of the greatest trailblazers in opening new avenues of research.”
Writer Lyonel Trouillot
UNESCO honored him as a leading Haitian intellectual, citing his “intellectual rigor, strong sense of public service and clear vision of culture’s role in social cohesion and sustainable development.”
The State University of Haiti (UEH), where Coulanges lectured to generations of Haitians, also paid tribute to him, describing him as “an engaged intellectual and inspired creator who skillfully combined academic rigor with artistic expression.”
The Ministry of Culture and Communication and the Haitian Embassy in Canada joined academic and cultural institutions in expressing condolences to the Coulanges family and honoring a man widely regarded as a guardian of Haiti’s living memory.
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