Disha Patani’s Monisha Jaising’s ‘Haya’ sari draws inspiration from Victorian-era pearl and jade jewels “that feel timeless yet powerful,” says the designer about the look that bridges the gap between time-honoured and contemporary.
“I wanted to showcase that opulence into couture drapes. It is translated as linear jewelled lines that glide across the body with intention.” These embellishments are engineered to sculpt rather than merely ornament, creating what she describes as “a fluid, goddess-like silhouette that feels both sensual and strong.” The sari’s pre-draped construction underscores its modern sensibility and wearability. Crafted in fine tulle and bobbinet, it achieves “an almost weightless elegance,” despite the density of detail.
The bejewelled blouse is where the narrative intensifies into full couture spectacle. “The blouse is truly a statement,” says Jaising, who imagined it “as a stacked composition of Victorian jewel lines.” The design language borrows directly from heirloom necklaces, layering various gemstones and crystals to create a scale that transforms the blouse into a work of wearable art. “Approximately 6,000 ruby and jade stones were used, supported by nearly 2,000 Kundan elements and crystals. The result is a sculptural, armour-like piece that elevates the entire look,” she explains, and that elevation is felt instantly, as the blouse anchors the diaphanous sari with strength and structure. Adding to its gravitas is the sheer labour behind it. “The ensemble took close to 300 hours to design and conceptualise and a further 900 hours of meticulous craftsmanship to bring to life,” the designer shares.
Keeping the focus firmly on the outfit, Disha Patani kept to an understated yet impactful beauty look, with soft smoky eyes, nude lips and layers of mascara. She also gave ornate accessories a rain check in favour of chaandbali earrings with uncut diamonds and emerald drops, finishing the look with just two kadas for finishing touches.
